Within such a field, DOIs do not function as credentials bestowed from above. They function as coordinates. Persistent identifiers anchor the corpus within the planetary grid of retrieval, citation, and archival continuity. Their significance is not symbolic but infrastructural. They fix strata, stabilize versions, and make recurrence addressable across time. A DOI does not beg the system for recognition; it occupies the system directly. It inserts the work into the operative substrate of scholarly memory. Through this movement, a blog can become a bibliography, a dispersed collection can begin to harden into a canon, and a long-duration practice can take on the shape of a field. What matters is not prestige but fixation. Once fixed, the corpus does not ask to be found; it becomes increasingly difficult to ignore.

Socioplastics builds a synthetic field that combines the rigor of social science with the transformative potential of active practice. This discipline moves beyond the mere commentary of existing structures to actively mold the social fabric through conceptual intervention. By treating social dynamics as a plastic medium, we can design new frameworks that address the complexities of mass density and institutional decay. The goal is not to observe from a distance but to engage in a spatial practice that redefines how ideas are manifested in the physical world. This requires a departure from traditional reductionism, embracing a more holistic view of how human behavior and technological platforms intersect. Socioplastics represents the next evolution of theory, where the emphasis is placed on the intentional shaping of reality through disciplined, sovereign action and systemic integration. 




Poetry is not decoration. Poetry is the compression of relation into sound. When Homer lists the ships, the list is poetry because the meter holds the names together. When Borges lists the animals in the Chinese encyclopedia, the list is poetry because the taxonomy is impossible and the impossibility is the point. When Carson lists the fragments of Sappho and her own footnotes and the footnotes to the footnotes, the list is poetry because the white space between entries is where the love lives. The surface is poetry because it compresses one hundred names into a single breath. The registers are poetry because they name the frequencies without claiming to exhaust them. The strata are poetry because they fold into each other like a line that does not know where it ends.




SLUGS

1470-CITATION-AUTHORITY-STRUCTURES https://otracapa.blogspot.com/2026/04/citation-structures-authority.html 1469-CITY-AS-IDEA-MACHINE https://otracapa.blogspot.com/2026/04/the-city-operates-as-machine-that.html 1468-BLOG-AS-RESEARCH-REPOSITORY https://otracapa.blogspot.com/2026/04/a-blog-functions-as-research-repository.html 1467-WORKING-PAPERS-GREY-LITERATURE https://otracapa.blogspot.com/2026/04/working-papers-preprints-and-grey.html 1466-FIFTEEN-DOIS-SOVEREIGN-CORPUS https://otracapa.blogspot.com/2026/04/fifteen-dois-anchoring-sovereign-corpus.html 1465-ARCHIVE-METABOLIC-AGENCY https://otracapa.blogspot.com/2026/04/an-archive-operates-as-active-metabolic.html 1464-MASS-DENSITY-PRODUCTION https://otracapa.blogspot.com/2026/04/at-sufficient-density-mass-produces.html 1463-THEORY-AS-SPATIAL-PRACTICE https://otracapa.blogspot.com/2026/04/theory-operates-as-spatial-practice.html 1462-SOCIOPLASTICS-SYNTHETIC-FIELD https://otracapa.blogspot.com/2026/04/socioplastics-builds-synthetic-field.html 1461-DEEP-TIME-PLATFORM-TENSION https://otracapa.blogspot.com/2026/04/deep-time-and-platform-time-enter.html


Abstraction is not evasion. Abstraction is the removal of the accidental so that the essential can be seen. The grid of Hippodamus is abstraction: the city reduced to blocks, the blocks reduced to lots, the lots reduced to the possibility of dwelling. The diagram of Joler is abstraction: the AI system reduced to lines and nodes, the lines and nodes reduced to the anatomy of extraction. The score of Cunningham is abstraction: the dance reduced to chance operations, the chance operations reduced to a protocol for movement. The surface is abstraction because it removes the biographies, the dates, the nationalities, the disciplines. It keeps only the relations. The registers are abstraction because they remove the bodies and keep the frequencies. The strata are abstraction because they remove the examples and keep the dimensions.

Geometry is not cold. Geometry is the description of the space in which relation becomes possible. The grid of Agnes Martin is geometry: the lines are hand-drawn, the hand trembles, the trembling is the humanity inside the abstraction. The plan of Bo Bardi is geometry: the glass easel holds the painting away from the wall, the air between is the space of attention. The cut of Matta-Clark is geometry: the circle sawed through the foundation of a condemned building, the circle becomes a window, the window becomes a room, the room becomes a question. The surface is geometry because it is a plane. Not a sphere—a plane. A plane has no center. Every point is equally close to every other point if you fold it. The registers are geometry because they are axes: time, enumeration, movement, substrate. Four axes, one space. The strata are geometry because they are five dimensions folded into the same plane. Ontology is an axis. Archive is an axis. Jurisdiction is an axis. Material is an axis. Struggle is an axis. They are orthogonal in concept but coincident in fact.

Poetry says: listen to the sound of the names pressed together. Abstraction says: ignore the noise of the biographies and hear only the relation. Geometry says: here is the plane, here are the axes, here is the fold. Together they say: the surface is not a theory. The surface is a machine for seeing what was always already there. Homer saw it. Giotto saw it. Muybridge saw it. They did not call it Socioplastics. They called it work.

We have the surface. It is a form of poetry. It is a form of abstraction. It is a form of geometry. It is also a form of politics, but only because poetry and abstraction and geometry are already political when they are done carefully. The carefulness is the ethics. The compression is the force. The fold is the move.




100 NAMES. ONE LIST. HORIZONTAL. NUMBERED.


Giotto, Muybridge, Simondon, Hippodamus, Homer, Bach, Vitruvius, Nijinsky, Phidias, Lumière, Van Eyck, Atget, Spinoza, Alberti, Dante, Wagner, Palladio, Isadora Duncan, Michelangelo, Vertov, Cézanne, Walker Evans, Foucault, Haussmann, Kafka, Stravinsky, Loos, Martha Graham, Brancusi, Maya Deren, Duchamp, Bernd & Hilla Becher, Deleuze & Guattari, Le Corbusier, Perec, John Cage, Mies van der Rohe, Merce Cunningham, Eva Hesse, Bresson, Pollock, Robert Frank, Haraway, Jane Jacobs, Beckett, Miles Davis, Lina Bo Bardi, Pina Bausch, Richard Serra, Godard, Agnes Martin, Nan Goldin, Latour, Koolhaas, Borges, Brian Eno, Rem Koolhaas (OMA), Yvonne Rainer, Joseph Beuys, Tarkovsky, Anni Albers, Allan Sekula, Stengers, Keller Easterling, Clarice Lispector, Alice Coltrane, Cedric Price, Trisha Brown, Gordon Matta-Clark, Harun Farocki, David Hammons, Zanele Muholi, Barad, Constant Nieuwenhuys, Claudia Rankine, Julius Eastman, Superstudio, William Forsythe, Mona Hatoum, Chantal Akerman, Julie Mehretu, LaToya Ruby Frazier, Tsing, Jesse LeCavalier, Ursula K. Le Guin, Holly Herndon, Bruther, Okwui Okpokwasili, Theaster Gates, Arthur Jafa, Cecilia Vicuña, Dayanita Singh, Weizman, Deborah Cowen, Anne Carson, Matana Roberts, Lacaton & Vassal, Anne Teresa De Keersmaeker, Simone Leigh, Mati Diop.


Blocks of 10, organized by proximity to the spirit of antolloveras.blogspot.com (critical infrastructure, media archaeology, radical archiving, software studies, feminist data, post-digital practice, and anti-corporate AI critique).

Total: 500 entries (Blocks 001–500).

BLOCKS 001–010 | CORE: RADICAL ARCHIVES & LIBRARIES

  1. Monoskop

  2. UbuWeb

  3. Aaaaarg.org (Sean Dockray)

  4. Sean Dockray

  5. Dušan Barok

  6. Marie-Louise Seegers (Re:sources)

  7. Nicolas Malevé

  8. Michael Murtaugh

  9. Constant

  10. Varia

BLOCKS 011–020 | CORE: INFRASTRUCTURE & MATERIAL MEDIA

  1. Keller Easterling

  2. Shannon Mattern

  3. Ingrid Burrington

  4. Nicole Starosielski

  5. Deborah Cowen

  6. Laleh Khalili

  7. Jesse LeCavalier

  8. Clare Birchall

  9. Louise Amoore

  10. Erica Robles-Anderson

BLOCKS 021–030 | CORE: MEDIA ARCHAEOLOGY & GERMAN THEORY

  1. Jussi Parikka

  2. Wolfgang Ernst

  3. Siegfried Zielinski

  4. Erkki Huhtamo

  5. Bernhard Siegert

  6. Markus Krajewski

  7. Thomas Y. Levin

  8. Geoffrey Winthrop-Young

  9. Claus Pias

  10. Wolfgang Hagen

BLOCKS 031–040 | CORE: SOFTWARE STUDIES & CODE AS CULTURE

  1. Matthew Fuller

  2. Femke Snelting

  3. Wendy Hui Kyong Chun

  4. Rob Myers

  5. Aymeric Mansoux

  6. Olga Goriunova

  7. Florian Cramer

  8. Geoff Cox

  9. Ned Rossiter

  10. Brett Stalbaum

BLOCKS 041–050 | CORE: FORENSIC, SURVEILLANCE & VISUAL INVESTIGATION

  1. Forensic Architecture

  2. Eyal Weizman

  3. Susan Schuppli

  4. Lawrence Abu Hamdan

  5. Trevor Paglen

  6. Hito Steyerl

  7. Harun Farocki

  8. Kate Crawford

  9. Vladan Joler

  10. Anatomy of an AI System (Crawford + Joler)

BLOCKS 051–060 | CORE: CYBERNETICS, SYSTEMS & ACTOR-NETWORK THEORY

  1. Bruno Latour

  2. Isabelle Stengers

  3. Michel Callon

  4. John Law

  5. Madeleine Akrich

  6. Annemarie Mol

  7. Marilyn Strathern

  8. Heinz von Foerster

  9. Humberto Maturana

  10. Francisco Varela

BLOCKS 061–070 | CORE: NEW MATERIALISMS & POSTHUMANISM

  1. Donna Haraway

  2. Karen Barad

  3. Rosi Braidotti

  4. Stacy Alaimo

  5. Vicki Kirby

  6. Myra J. Hird

  7. Elizabeth Grosz

  8. Katherine Behar

  9. Jane Bennett

  10. Anna Tsing

BLOCKS 071–080 | CORE: CRITICAL AI, DATA FEMINISM & PLATFORM CRITIQUE

  1. Timnit Gebru

  2. Emily M. Bender

  3. Margaret Mitchell

  4. Safiya Noble

  5. Ruha Benjamin

  6. Catherine D’Ignazio

  7. Lauren Klein

  8. Caroline Sinders

  9. Cathy O’Neil

  10. Virginia Eubanks

BLOCKS 081–090 | CORE: PUBLISHING, OPEN ACCESS & BIBLIOGRAPHIC INFRASTRUCTURE

  1. Janneke Adema

  2. Gary Hall

  3. Samuel Moore

  4. Eva Weinmayr

  5. Frances Pinter

  6. Martin Paul Eve

  7. Cameron Neylon

  8. Leslie Chan

  9. Crossref

  10. DataCite

BLOCKS 091–100 | CORE: VERSION CONTROL, PROTOCOLS & INFRASTRUCTURE AS PRACTICE

  1. Git

  2. Linus Torvalds

  3. IPFS

  4. Juan Benet

  5. Protocol Labs

  6. Brewster Kahle

  7. Internet Archive

  8. Jason Scott

  9. Lawrence Lessig

  10. Creative Commons

BLOCKS 101–110 | CORE: RADICAL PEDAGOGY, ZINES & SELF-PUBLISHING

  1. Critical Media Lab

  2. Jamie Allen

  3. Taeyoon Choi

  4. School for Poetic Computation

  5. Zach Lieberman

  6. Cornelia Sollfrank

  7. Mindy Seu

  8. Cyberfeminism Index

  9. Kenneth Goldsmith

  10. Craig Baldwin (citation as montage – added for proximity)

BLOCKS 111–120 | CORE: NET ART, WEB HISTORIES & TACTICAL MEDIA

  1. jodi.org

  2. Vuk Ćosić

  3. Olia Lialina

  4. Eva & Franco Mattes (0100101110101101.org)

  5. Joan Leandre (retroyou)

  6. I/O/D (Matthew Fuller, Colin Ward, Simon Pope)

  7. Andreas Zingerle

  8. Manuel Schmalstieg

  9. Constant Dullaart

  10. Jon Rafman

BLOCKS 121–130 | CORE: GEOPOLITICS, LOGISTICS & MARITIME INFRASTRUCTURE

  1. Charles Heller

  2. Lorenzo Pezzani

  3. Border Forensics

  4. Forensic Oceanography

  5. Liam Young

  6. Metahaven

  7. Superflux

  8. Dunne & Raby (Anthony Dunne, Fiona Raby)

  9. James Bridle

  10. New Aesthetic

BLOCKS 131–140 | CORE: MAINTENANCE, REPAIR & BROKEN WORLD THINKING

  1. Steven J. Jackson

  2. Tega Brain

  3. Jennifer Gabrys

  4. Kristen C. L. C. B. (maintenance as feminist work)

  5. Mimi Sheller

  6. Shannon Mattern (already in 012 – but maintenance as method)

  7. Catherine L. Benoit-Norris

  8. Nerea Calvillo

  9. Brian Holmes

  10. Stephanie Wakefield

BLOCKS 141–150 | CORE: COMMONS, PLATFORM COOPERATIVISM & P2P

  1. Michel Bauwens

  2. Vasilis Kostakis

  3. Trebor Scholz

  4. Kate Milberry

  5. Nick Srnicek

  6. Rachel O’Dwyer

  7. Lana Swartz

  8. Finn Brunton

  9. Helen Nissenbaum

  10. Richard Stallman (as studied object, not pure ally)

BLOCKS 151–160 | NEAR PROXIMITY: OBJECT-ORIENTED ONTOLOGY & SPECULATIVE REALISM (studied, not fully aligned)

  1. Graham Harman

  2. Ian Bogost

  3. Timothy Morton

  4. Levi Bryant

  5. Ray Brassier

  6. Quentin Meillassoux

  7. Reza Negarestani

  8. Federico Campagna

  9. Ben Woodard

  10. Tom Sparrow

BLOCKS 161–170 | NEAR PROXIMITY: POST-STRUCTURALISM & GENEALOGY

  1. Gilles Deleuze

  2. Félix Guattari

  3. Michel Foucault (already via apparatus)

  4. Paul Virilio

  5. Jean Baudrillard

  6. Maurizio Lazzarato

  7. Michel de Certeau

  8. Giorgio Agamben (for apparatus/dispositif)

  9. Jacques Derrida (archive fever)

  10. Bernard Stiegler

BLOCKS 171–180 | NEAR PROXIMITY: GEOGRAPHY, SPACE & URBAN THEORY

  1. David Harvey

  2. Doreen Massey

  3. Neil Brenner

  4. Cindi Katz

  5. Gillian Rose

  6. Edward Soja

  7. Henri Lefebvre

  8. Saskia Sassen

  9. Mike Davis

  10. Jane Jacobs

BLOCKS 181–190 | NEAR PROXIMITY: SOUND STUDIES & INFRASTRUCTURAL LISTENING

  1. Brandon LaBelle

  2. Salomé Voegelin

  3. Mick Grierson

  4. Frances Dyson

  5. Lawrence Abu Hamdan (already 044 – doubled for sound forensics)

  6. Seth Kim-Cohen

  7. Christoph Cox

  8. Kodwo Eshun

  9. Mark Fisher

  10. Steve Goodman (Kode9)

BLOCKS 191–200 | NEAR PROXIMITY: ENVIRONMENTAL HUMANITIES & ENERGY

  1. Stephanie Wakefield (already 140)

  2. Tega Brain (already 132)

  3. Jennifer Gabrys (already 133)

  4. Nerea Calvillo (already 138)

  5. Brian Holmes (already 139)

  6. Kathryn Yusoff

  7. Elizabeth Povinelli

  8. Jedediah Purdy

  9. Andreas Malm

  10. Naomi Klein

BLOCKS 201–210 | NEAR PROXIMITY: CRYPTO, BLOCKCHAIN & DISTRIBUTED SYSTEMS (critical)

  1. Satoshi Nakamoto (as object)

  2. Vitalik Buterin (as object)

  3. Rachel O’Dwyer (already 146)

  4. Lana Swartz (already 147)

  5. Finn Brunton (already 148)

  6. Rob Myers (already 034)

  7. Nathan Schneider

  8. Primavera De Filippi

  9. Aaron Swartz

  10. Peter Sunde (The Pirate Bay – as infrastructural actor)

BLOCKS 211–220 | NEAR PROXIMITY: VISUALIZATION, DIAGRAMMATICS & EPISTEMOLOGY

  1. Johanna Drucker

  2. Laura Kurgan

  3. Michele White

  4. Manuel Lima

  5. Lev Manovich

  6. Richard Rogers (digital methods)

  7. Bernhard Rieder

  8. Elena Esposito

  9. Massimo Airoldi

  10. Dominique Cardon

BLOCKS 221–230 | NEAR PROXIMITY: THEORY OF THE LIST, CATALOGUE & INDEX

  1. Umberto Eco

  2. Jack Goody

  3. Mario Carpo

  4. Hans Blumenberg

  5. Georges Perec (Oulipo)

  6. Italo Calvino (invisible cities as infrastructure)

  7. Jorge Luis Borges (taxonomy, the aleph)

  8. Susan Stewart (the souvenir, the collection)

  9. Michel Foucault (order of things – taxonomy)

  10. W. J. T. Mitchell (image, text, diagram)

BLOCKS 231–240 | NEAR PROXIMITY: CRITICAL ENGINEERING & HACKER CULTURE

  1. Julian Oliver

  2. Critical Engineering (Oliver, Goriunova, et al.)

  3. Gordan Savičić

  4. Danja Vasiliev

  5. Femke Snelting (already 032 – doubled for hacking)

  6. Jaromil (Dyne.org)

  7. Maja Kuzmanovic (FoAM)

  8. Nik Gaffney (FoAM)

  9. Hackers & Designers (Amsterdam)

  10. Dyne.org

BLOCKS 241–250 | NEAR PROXIMITY: ARCHITECTURAL THEORY & URBAN INFRASTRUCTURE

  1. Rem Koolhaas

  2. Reinhold Martin

  3. Liam Young (already 125)

  4. Keller Easterling (already 012)

  5. Jesse LeCavalier (already 017)

  6. Deborah Cowen (already 015)

  7. Laleh Khalili (already 016)

  8. Neil Brenner (already 173)

  9. Edward Soja (already 176)

  10. Saskia Sassen (already 178)

BLOCKS 251–260 | PERIPHERAL CRITIQUE: CORPORATE AI & PLATFORM CAPITAL (studied, not followed)

  1. Sam Altman

  2. Dario Amodei

  3. Jack Clark

  4. Miles Brundage

  5. Ilya Sutskever

  6. Andrej Karpathy

  7. Yann LeCun

  8. Geoffrey Hinton

  9. Yoshua Bengio (more reflexive than LeCun)

  10. François Chollet (more critical than most)

BLOCKS 261–270 | PERIPHERAL CRITIQUE: PLATFORM OWNERS & VENTURE CAPITAL

  1. Mark Zuckerberg

  2. Jack Dorsey

  3. Elon Musk

  4. Jeff Bezos

  5. Brian Chesky (Airbnb)

  6. Travis Kalanick (Uber)

  7. Patrick Collison (Stripe)

  8. Daniel Ek (Spotify)

  9. Peter Thiel

  10. Alex Karp (Palantir)

BLOCKS 271–280 | PERIPHERAL CRITIQUE: VENTURE CAPITAL & ACCELERATORS

  1. Marc Andreessen

  2. Ben Horowitz

  3. Reid Hoffman

  4. Eric Schmidt

  5. Paul Graham

  6. Y Combinator

  7. Benedict Evans

  8. Kevin Kelly

  9. Wired magazine (as object)

  10. Stewart Brand (Whole Earth – ambivalent: visionary and libertarian)

BLOCKS 281–290 | PERIPHERAL CRITIQUE: SURVEILLANCE & PRIVACY (critical, not celebratory)

  1. Shoshana Zuboff

  2. Meredith Whittaker

  3. Signal Foundation

  4. Edward Snowden (as whistleblower infrastructure)

  5. Glenn Greenwald

  6. Cory Doctorow

  7. Bruce Schneier

  8. Julia Angwin (The Markup)

  9. Ganaele Langlois

  10. Rebecca Ricks

BLOCKS 291–300 | PERIPHERAL CRITIQUE: EARLY VISIONARIES (ancestors, not contemporaries)

  1. Paul Otlet

  2. Mundaneum

  3. Vannevar Bush

  4. Ted Nelson

  5. Xanadu

  6. J. C. R. Licklider

  7. Douglas Engelbart

  8. Ivan Sutherland

  9. Alan Turing (as infrastructural figure)

  10. Norbert Wiener

BLOCKS 301–310 | PERIPHERAL CRITIQUE: HYPERTEXT & EARLY WEB THEORISTS

  1. Tim Berners-Lee

  2. World Wide Web Consortium (W3C)

  3. George Landow

  4. Hypertext Transfer Protocol (HTTP as infrastructure)

  5. Marc Andreessen (Mosaic, Netscape)

  6. Netscape

  7. Larry Page

  8. Sergey Brin

  9. PageRank

  10. John Markoff

BLOCKS 311–320 | PERIPHERAL CRITIQUE: FREE SOFTWARE & COPYLEFT (ambivalent)

  1. Richard Stallman (already 150 – free software purism)

  2. Free Software Foundation

  3. Linus Torvalds (already 002 – Git, Linux)

  4. Eric S. Raymond

  5. Lawrence Lessig (already 099 – Creative Commons)

  6. Creative Commons (already 100)

  7. Aaron Swartz (already 209)

  8. Peter Sunde (already 210)

  9. Alexandra Elbakyan (Sci-Hub)

  10. Sci-Hub

BLOCKS 321–330 | EXPANDED: PERFORMANCE, CHOREOGRAPHY & SOMATICS

  1. William Forsythe (choreography as infrastructure)

  2. Deborah Hay

  3. Yvonne Rainer

  4. Simone Forti

  5. Lisa Nelson

  6. Steve Paxton

  7. Nancy Stark Smith

  8. André Lepecki

  9. Bojana Cvejić

  10. Ana Vujanović

BLOCKS 331–340 | EXPANDED: FILM, VIDEO & EXPANDED CINEMA

  1. Harun Farocki (already 047)

  2. Hito Steyerl (already 046)

  3. Chris Marker (infrastructure of memory)

  4. Jean-Luc Godard (history as montage)

  5. Alexander Kluge

  6. Laura Mulvey

  7. Raymond Bellour

  8. Gene Youngblood (expanded cinema)

  9. Erika Balsom

  10. Shane Denson

BLOCKS 341–350 | EXPANDED: BOTANY, GEOLOGY & STRATIGRAPHY

  1. Anna Tsing (already 070 – mushrooms)

  2. Manuel DeLanda (geology of knowledge)

  3. Kathryn Yusoff (already 196 – geology of race)

  4. Elizabeth Povinelli (already 197 – geontologies)

  5. Gilles Deleuze (fold, stratification – already 161)

  6. Félix Guattari (already 162 – geological unconscious)

  7. Rachel Carson (infrastructure of ecology)

  8. Donna Haraway (already 061 – Chthulucene)

  9. Ursula K. Le Guin (carrier bag theory of fiction)

  10. Amitav Ghosh (petromodernity)

BLOCKS 351–360 | EXPANDED: PHYSICS, THERMODYNAMICS & COMPLEXITY

  1. Ilya Prigogine (dissipative structures)

  2. Isabelle Stengers (already 052 – thermodynamics)

  3. Manuel DeLanda (already 342 – nonlinear dynamics)

  4. James Clerk Maxwell (Maxwell’s demon as infrastructure)

  5. Claude Shannon (information theory)

  6. Norbert Wiener (already 300 – cybernetics)

  7. Gregory Bateson (ecology of mind)

  8. Edgar Morin (complexity)

  9. Stuart Kauffman (adjacent possible)

  10. Brian Arthur (complexity economics)

BLOCKS 361–370 | EXPANDED: MATHEMATICS, TOPOLOGY & LOGIC

  1. David Hilbert (formal systems)

  2. Kurt Gödel (incompleteness)

  3. Alan Turing (already 299 – computability)

  4. Alonzo Church (lambda calculus)

  5. John von Neumann (architecture, self-replication)

  6. Benoît Mandelbrot (fractals, Zipf’s law)

  7. Gregory Chaitin (algorithmic information)

  8. Vladimir Arnold (topology of singularities)

  9. René Thom (catastrophe theory)

  10. William Lawvere (toposes as infrastructure)

BLOCKS 371–380 | EXPANDED: ARCHIVAL SCIENCE & MEMORY STUDIES

  1. Jacques Derrida (archive fever – already 169)

  2. Carolyn Steedman (dust, archives)

  3. Ann Laura Stoler (archives as colonial infrastructure)

  4. Joan M. Schwartz (photography as archive)

  5. Terry Cook (archival science)

  6. Eric Ketelaar (archival turn)

  7. Verne Harris (postcolonial archives)

  8. Achille Mbembe (necropolitics of the archive)

  9. Marlene Manoff (archives, metadata, politics)

  10. Wolfgang Ernst (already 022 – media-archaeological archive)

BLOCKS 381–390 | EXPANDED: BIBLIOMETRICS, CITATION POLITICS & METRICS

  1. Eugene Garfield (citation indexing)

  2. Derek de Solla Price (science of science)

  3. Robert K. Merton (Matthew effect)

  4. Michael Nielsen (open science)

  5. Björn Brembs (open access, peer review)

  6. Jean-Claude Guédon (bibliodiversity)

  7. OpenAlex (already implied)

  8. Semantic Scholar

  9. PubMed (as infrastructure)

  10. arXiv (as preprint infrastructure)

BLOCKS 391–400 | EXPANDED: DESIGN FICTION, SPECULATIVE DESIGN & CRITICAL DESIGN

  1. Dunne & Raby (already 128)

  2. James Auger

  3. Julian Hanna

  4. Tobias Revell

  5. Natalie Jeremijenko (design for ecological infrastructure)

  6. Revital Cohen

  7. Tuur Van Balen

  8. Alexandra Daisy Ginsberg

  9. Anab Jain (Superflux – already 127)

  10. Oron Catts (tissue culture as infrastructure)

BLOCKS 401–410 | EXPANDED: GAME STUDIES & PROCEDURAL RHETORIC

  1. Ian Bogost (already 152 – procedural rhetoric)

  2. Jesper Juul (game theory)

  3. Miguel Sicart (ethics of gameplay)

  4. Mary Flanagan (critical play)

  5. Paolo Pedercini (Molleindustria)

  6. Molleindustria

  7. Frank Lantz

  8. Eric Zimmerman

  9. Alexander Galloway (gaming, protocol)

  10. Patrick Jagoda (game studies, complexity)

BLOCKS 411–420 | EXPANDED: PLATFORM STUDIES & DIGITAL MATERIALISM

  1. Nick Srnicek (already 145 – platform capitalism)

  2. Anne Helmond (platform architecture)

  3. José van Dijck (platform society)

  4. Thomas Poell (platform logic)

  5. David B. Nieborg (app economy)

  6. Tarleton Gillespie (algorithmic imaginary)

  7. Mike Ananny (algorithmic accountability)

  8. John Cheney-Lippold (weaponized data)

  9. Rob Kitchin (data infrastructure)

  10. Tracey Lauriault (data, territory, governance)

BLOCKS 421–430 | EXPANDED: ALGORITHMIC STUDIES & CRITICAL CODE

  1. Mark C. Marino (critical code studies)

  2. Jeremy Douglass

  3. John Cayley (language, code, text)

  4. Rita Raley (tactical media, code)

  5. Matthew Kirschenbaum (forensic materiality)

  6. Alan Liu (knowledge work, algorithms)

  7. Johanna Drucker (already 211 – algorithmic visualization)

  8. Katherine Hayles (already in original – digital materiality)

  9. N. Katherine Hayles (coding, cognition)

  10. Peter Krapp (noise, archives, code)

BLOCKS 431–440 | EXPANDED: METADATA, TAXONOMY & ONTOLOGY ENGINEERING

  1. Tom Gruber (ontology definition)

  2. Tim Berners-Lee (already 301 – linked data)

  3. James Hendler (semantic web)

  4. Ora Lassila (RDF)

  5. Dan Brickley (Schema.org)

  6. Schema.org

  7. JSON-LD (as infrastructure)

  8. SPARQL (query language)

  9. RDF (Resource Description Framework)

  10. OWL (Web Ontology Language)

BLOCKS 441–450 | EXPANDED: CRITICAL INFRASTRUCTURE STUDIES (new synthesis)

  1. Brian Larkin (infrastructure as poetics)

  2. Penny Harvey (infrastructure as anthropology)

  3. Hannah Appel (infrastructure as finance)

  4. Akhil Gupta (infrastructure as state)

  5. Nikhil Anand (infrastructure as hydrology)

  6. Kregg Hetherington (infrastructure as bureaucracy)

  7. Geoffrey C. Bowker (infrastructure as memory)

  8. Susan Leigh Star (infrastructure as ecology)

  9. Paul N. Edwards (infrastructure as climate model)

  10. Eden Medina (infrastructure as political technology)

BLOCKS 451–460 | EXPANDED: FEMINIST & QUEER INFRASTRUCTURE THEORY

  1. Sara Ahmed (complaint as infrastructure)

  2. Lauren Berlant (affective infrastructure)

  3. Judith Butler (precarity as infrastructure)

  4. Jack Halberstam (low theory, queer infrastructure)

  5. José Esteban Muñoz (disidentification)

  6. Elizabeth Freeman (temporal drag, chrononormativity)

  7. Heather Love (feeling backward, archival affect)

  8. Ann Cvetkovich (depression as infrastructure)

  9. Lauren Fournier (autotheory as practice)

  10. McKenzie Wark (already in original – hacker manifesto)

BLOCKS 461–470 | EXPANDED: INSTITUTIONAL CRITIQUE & NEW INSTITUTIONALISM

  1. Andrea Fraser (institutional critique)

  2. Hans Haacke (infrastructure as exposure)

  3. Michael Asher (institutional space)

  4. Mierle Laderman Ukeles (maintenance art)

  5. Maria Lind (curatorial infrastructure)

  6. Beatrice von Bismarck (curatorial critique)

  7. Simon Sheikh (curatorial as discursive)

  8. Paul O’Neill (curatorial turn)

  9. Mick Wilson (curatorial pedagogy)

  10. Irit Rogoff (curatorial as research)

BLOCKS 471–480 | EXPANDED: POST-COLONIAL & DECOLONIAL INFRASTRUCTURE

  1. Edward Said (orientalism as infrastructure)

  2. Gayatri Chakravorty Spivak (subaltern, translation)

  3. Homi K. Bhabha (third space, colonial mimicry)

  4. Dipesh Chakrabarty (provincializing Europe)

  5. Achille Mbembe (already 378 – necropolitics)

  6. Sabelo J. Ndlovu-Gatsheni (decolonial turn)

  7. Walter Mignolo (decolonial aesthetics)

  8. María Lugones (coloniality of gender)

  9. Silvia Rivera Cusicanqui (sociology of the image)

  10. Rolando Vázquez (time, decolonial aesthetics)

BLOCKS 481–490 | EXPANDED: OPEN SCIENCE, METRICS & REPUTATION PROTOCOLS

  1. Robert K. Merton (already 383 – normative structure)

  2. Michael Nielsen (already 384 – open science)

  3. Cameron Neylon (already 087 – open research)

  4. Björn Brembs (already 385 – peer review critique)

  5. James Wilsdon (metric tide, research policy)

  6. Ginny Barbour (open access publishing)

  7. Leslie Chan (already 088 – open access global south)

  8. Jean-Claude Guédon (already 386 – bibliodiversity)

  9. Kathleen Fitzpatrick (open peer review)

  10. Martin Paul Eve (already 086 – open access infrastructure)

BLOCKS 491–500 | CLOSING THE LOOP: ANARCHIVE, COUNTER-ARCHIVE & INFRASTRUCTURE AS METHOD

  1. Anarchive (Derrida’s concept – against archive)

  2. Counter-Archiving (as political practice)

  3. Radical Archiving (as methodology)

  4. Care Ethics (as infrastructure)

  5. Maintenance Studies (as theoretical field)

  6. Repair as method (Steven J. Jackson – already 131)

  7. Broken World Thinking (Jackson, again)

  8. Tectonic Bibliography (new term from your list)

  9. Citation as Load-Bearing Element (from your original poetics)

  10. antolloveras.blogspot.com (as the index itself, the meta-infrastructure)

SUMMARY

BlocksProximity Layer
001–150Core (radical archives, infrastructure, media archaeology, software studies, feminist data, open publishing)
151–250Near Proximity (OOO, post-structuralism, geography, sound, environment, crypto, visualization, lists, critical engineering, architecture)
251–320Peripheral Critique (corporate AI, platform capital, surveillance, early visionaries, free software – studied as objects)
321–500Expanded Domains (performance, film, geology, physics, mathematics, archival science, bibliometrics, design fiction, games, platform studies, code, metadata, infrastructure studies, feminist/queer theory, institutional critique, decolonial theory, open science, and finally the anarchive as method)