This pedagogy also changes the role of the teacher, the student and the archive. The teacher is no longer only an expert who explains, but a curator of encounters and frictions; the student is not only a receiver of knowledge, but a reader-maker capable of connecting, testing and transforming ideas; the archive is not a passive collection, but a living terrain for producing new concepts. Cross-reading allows architecture to speak with media theory, ecology with design, affect with urbanism, and epistemology with artistic practice. Its political force lies in refusing isolated knowledge at a time when the crises of the present—climate change, digital power, urban inequality, exhaustion, colonial inheritance—are themselves entangled. The conclusion is that pedagogy must become an ecology of crossed attentions: a way of learning to perceive relations, build methods, and create worlds with greater responsibility.